Oratorio - Rubbish on the Square

In the morning of October 1st 2013, the National Day of China, lakh of people from allover the country came to Tiananmen Square watching flag-raising ceremony in the rain. After the ceremony, about 5 tons of rubbish was left on the square. This situation was published on the website and became the hot topic nationwide. Oratorio "Rubbish on the Square is based on this event. lt is performed by 5soloists, mix chorus and a piano. The work not only shows the inflexion of the debate, but also describes lots of famous or nameless opinion leaders and central figures. The composer wants to call attentions to the "mob phenomenon - out of sense when flocking together through this work, at the same time he wants people to protect the environment and love our country rationally. Wen ZhanliWen Zhanli, is a composer living in Beijing. He was admitted to the composition department of China Conservatory in 1999 and studied composition with prof. WANG Ning. In 2006 he studied at Darmstadt International Summer Courses for Modern Music in Germany. In 2010, WEN attained doctors degree in China Conservatory and became a teacher there. From 2013 to 2015, he studied and was admitted to the sociology in Renmin University of China. ln 2015, he was selected in the first batch of Talent Pool of Outstanding Young and Middle-aged Artists of Beijing by Federation of Literary and Art Circles. WENs music has a variety of styles and genres. Many of his works were selected and premiered in national and international concerts and music festivals, some of them were recorded in the CD which was published and released in China and Europe. His works won the prize of music composition many times which is a governmental award conferred by the Ministry of Culture and Federation of Literary and Art Circle in China.

Music 2015

Symphony - Five Actions of Wu Kong

The Monkey King embodies many contradictions, he was given the Buddhist name "Wu Kong(mneaning "to realize the void of senses"), he was doomed to a fate of struggling and fighting for freedom. We always say that deep in every Chinese soul, there lives a Monkey King, fighting for freedom as we define it ourselves, during our lifetime. The work Five Actions of Wu Kong reflects ones inner ambivalence, when it comes to freedom, fate and lifes journey. The five actions are constructed using a Chinese theatrical approach to tension and relaxation. The titles are as follows: Lento - the Purple Forest of Spirits; Presto - "There is a young lady on the road ahead!"; Andante - Monolog in the Moonlight; Largo - "Wear this metal head hoop, and you will be free"; Allegro - Eternal Battle Symphony Ochestra. Zhou JuanA native of Sichuan, grew up in Xinjiang Uygur Autonomous Region of China, Zhou Juan graduated from the Central Conservatory of Music (BA and MA) and University of Missouri - Kansas City (DMA). She is associate professor in music composition at the Central Conservatory. She was awarded the China Music Golden Bell Award,17th and 18th National Music Composition Award, ASCAP Morton Gould Young Composer Award, GEDOK Fuch-Award", and Staunton Music Festival Emerging Composer Award. She received commissions and has worked with China National Centre for the Performing Arts, Korean Traditional Arts Foundation, Beijing Peoples Art Theatre, Chongqing Peking Opera House, Chengdu Peking Opera Research Center, Alarm Will Sound, Nieuw Ensemble, Kansas City Chorale, Mizzou New Music Summer Festival, New Dramatists Composer-Librettist Studio, Virginia Arts Festival, Bachfest Leipzig, and Nelson-Atkins Museum of Arts. Her major works include End of the Earth (orchestra), Far Far Away (orchestra), Before Curtain!(symphonic band), My Spiritual Garden (Uygur artists and chamber orchestra), Wu Kong (opera), Fate Makes a Choice (music theater), Golden Lock (Peking Opera incidental music), Sing by the River Flower (Peking Opera incidental music), Oedipus the King (musical play), Love Cantata, Wind (chorus a cappella), Second Language (jazz mixed combo) Water Your Memory (jazz band), Ming (large ensemble), Say "Bye"(large ensemble), Cycle of Life (song cycle), two string quartets, and many chamber works.

Music 2015

Dance Theatre - Farewell My Concubine

The King Disarmed is a classic solo piece played by Chinese traditional instrument Pipa. Based on the historical story of Chu-Han combat in ancient China, this music piece tells of the tragic suicide of King Xiang at the back of the Wu River as he was struck by the eventual defeat at the Battle of Gaixia. Farewell, my Concubine is a dance theatre adapted from the King Disarmed. The theatre unfolds an unlinear historical narrative as Yu Jis phantom is accidently awakened by Pipa performer Tang Xiaofengs pipa music. The theatre presents a dialogue between the ancient and the contemporary, man and female, the identity and the ego, time and space. Ma TaoMa Tao is currently the resident choreographer of the Shanghai Opera House. Graduated from the Department of Choreography at Beijing Dance Academy, Ma won many national and regional prizes in choreographing. Among which there were the second prize of the 8th National Dance Competition, and the golden medal in the 2012 East China Professional Dance Competition. His major works include Mulan (with Graeme Murphy and the Sydney Dance Company), Twelve Beauties of Jin Ling, The Champagne, Zhou Xuan and dance works Night Alley, Rain of the Fortress Besieged. Hes also involved in many cross-genre productions. Tang XiaofengTang Xiaofeng, Pipa soloist of Shanghai Chinese Orchestra, one of the best young musicians of traditional folk instrument in China now. Graduating from the Central Conservatory of Music, Tang accomplished his master degree on Pipa performance under the guidance of Pipa master Prof. Zhang Qiang. He is the silver prize winner of the 2011 China Golden Bell Award. Tang is dedicated to infusing up-to-dated elements into the contemporary interpretation of traditional folk music.

Dance 2015

Contemporary Dance - Between N39° and N40°

Between N39° and N49° is a work discussing "distance". Over the years, the choreographer travels back and forth between New York and Beijing, which are located between 39 and 40 degrees north latitude, but across the Pacific Ocean with thousands of miles apart. The physical distance is unchangeable. People come and go, meet and part. The distance of time cannot be changed either. Night and day, darkness and dawn. The river of memory is mixed with the aroma of coffee and sunshine on the streets. Illusions rise from the harshest reality: between 39 and 40 degrees north latitude, what could never be changed is the distance between souls. Lu YahuiLu Yahui is an independent choreographer and dancer. From 2004 to 2012, she worked with Guangdong Modern Dance Company, Beijing Dance Theatre, and Hou Ying Dance Theatre. She also worked with many renowned international artists including Sang Jijia, Zhang Xiaoxiong, Margaret Jenkins, Wang Yuanyuan, Hou Ying, and toured to international arts festivals at more than twenty countries. As a young choreographer, her works include Nineteen Floors Underground, Drowning, Walk Gracefully Once, etc. She relocated to New York in 2013 and has since worked with many choreographers and dance companies, and participated performance projects at Columbia University and New York University. She returned to China in 2015 to create her new work "Face to Face", which was invited to participate the 32nd Annual Shanghai Spring International Music Festival.

Dance 2015

Dance Theatre - Painted Skin

Painted Skin is one of the best stories from Strange Stories From a Chinese Studio. It satirizes the way in which people are adept at "painting skins" for themselves, dressing themselves up with an appealing exterior while hiding a debased soul within. This performance seeks a less-travelled path at the same time while taking the story back to its essence. The wife is cast as the main character as well as the malicious ghost, both played by the same male actor. The malicious ghost is borne out of the turns of the wifes mind: her lack of faith gives rise to the ghost that tormented her husband, and her repentance is also capable of bringing her husband back from the dead. This symbolic deconstruction of the story makes the performance a novel visual experience and creates endless possibilities for imagination. Is the good wife a malicious ghost, or vice versa? This structure, akin to an optical illusion that switches back and forth, conveys the essence of the work and the Eastern concept of beauty. Yang HailongGraduated from College of Dance, Minzu University of China, Yang Hailong is now Executive Art Director of Beijing 9 Dance Theatre. He used to work as a main dancer in Beijing Dance Drama & Opera and Beijing Dance Theatre. Yang has been engaged in choreography in recent years and to Germany, Japan, France and the Netherlands for cultural exchanges and performances. Yangs masterworks include Salome, Ashes Rebirth, The Tea Spell and The Remaking of Humanity. Ashes Rebirth was nominated for the Special Award by the Jury of the Second Denny Award in Beijing for International Excellence in Theatrical Arts and won the Golden Award of the Qunxing Award on the 10th China Art Festival. The dance drama also received the subsidy for the performing arts from Beijing Cultural Bureau.

Dance 2015

Dance Theatre - The Moon Opera

This performance is an adaptation of the most famous novel from the Asian Book Award winner Bi Feiyu. It takes a piercing look into the world of Chinese opera and its female stars. In a fit of diva jealousy, Xiao Yanqiu, star of The Moon Opera, disfigures her understudy with boiling water. Spurned by the troupe, she turns to teaching. Twenty years later, a rich cigarette-factory boss offers to underwrite a restaging of the cursed opera, but only on the condition that Xiao Yanqiu returns to the role of Change. So she does, this time believing she has fully become the immortal moon goddess. Set against the drama, intrigue, jealousy, retribution, and redemption of backstage Peking opera. The Moon Opera is a stunning portrait of women in a world that simultaneously reveres and restricts them. (Supported by 2014 China National Art Fund) Wang YabinDancer, choreographer and actress, Artistic Director of Yabin Dance Company (Yabin Studio), Yabin also has won golden awards in many key national dance competitions, and has been starring in several popular TV series in China. As dancer, choreographer and producer, she creates productions with an international perspective. Works she created in which she was also principle dancer won raves from media and audiences around the world. She was recognized as "one of the most important dancers in Asia" by Knack Focus. "She has a background in Chinese classical dance but has also worked to bring more contemporary dance to China, and headlines an annual programme of creations, Yabin and her Friends...Her performance gives us Chinese and contemporary dance as yin and yang…" by Financial Times. The Frankfurter Allgemeine Zeitung commented her "Yabin Wang presented an incredible dance in a soothing rhythm; her flexible, flowing and energetic movements were fascinating." In 2013 Yabin Studio commissioned Sidi Larbi Cherkaoui and production the new piece "Genesis". In 2014, Tamara Rojo, Artistic Director of the English National Ballet has invited Yabin Wang to choreograph a dance work for a new production by English National Ballet dedicated to female choreographers entitled "She Said". The performance will be premiered at Sadlers Wells in April, 2016.

Dance 2015

Multi-media Installation Theatre - Star

Star is an experimental artistic work which discusses the art inheritance. When we look up to the sky and watch the numerous stars, it is hard to imagine that the light of star has already gone through hundred millions of light years. That brightest star we can see now may have long gone. How about the dissemination of arts? Those maestros whom we adore today have already passed away; while their works are just as bright as the stars, which attract future generations to study and explore. The world without the works of these maestros is just like the pitch-dark universe without the light of stars. In the work, we take light as the carrier. With the combination of music, dance and image, we convey our enthusiasm and insistence to art to the audience from the bottom of our heart. Li HongyeGraduating from the Shanghai Theatre Academy stage art film and television lighting design, Li now works in the performing arts centre of Shanghai theatre academy. She has been engaged in lighting design for 7 years, and has been keen on lighting design of the industry, hoping to have more breakthroughs. Her design has been awarded the 2011 Annual Academy Award of Chinese Academy of fine arts, Shanghai Institute of fine arts of the stage of the design award, as well as the gold medal of Chinese Dance lotus award. Guo JinxinMulti-media and technical Director. GUO Jinxin is a teacher of Shanghai Theatre Academy. 14 years Stage design, Lighting, multi-media art experience. Deign for more than 30 theatres, events and art exhibitions. He graduated from Shanghai Theatre Academy, stage design department in 2004, and finished his master degree of fine arts in 2014. Some of his important awards include Shanghai Stage Art Academic Award, China Drama Award-Stage Design Award and Chinese Contemporary dance Award-Stage Design Award.

Visual Arts 2015

Chamber Music - Hymm to the Fallen and Recessional

Guo Shang and Li Hun are the last two chapters of Jiu Ge (Nine Songs), a poem selection from an ancient Chinese anthology of poems, Chu Ci(Songs of Chu), by Qu Yuan. In Jiu Ge (Nine Songs), Guo Shang shows the most lamenting emotion for the fallen soldiers and Li Hun is a short concluding hymn or recessional. The two-movement of chamber music works are taken from Guo Shang: Hymn to the Fallen and Li Hun: Recessional. The composer restore the Chinese ancestors perennial celebration of life and fear of the nature with skilled modern composing techniques. The Song cycle, Taking Leave of a Friend composed by Shen Yiwen will also be performed at the concert, which was commissioned by American soprano Dawn Upshaw and the Carnegie Hall. Shen YiwenShen Yiwen, a young composer and doctor of the Juilliard School. He won the silver award of the Chinese Golden Bell Award (the gold award is vacant), and both the third award and excellence award of the Chinese National Composi-tion Competitions, first prize from SCI/ASCAP Composition Commission, title of outstanding composers from American IBLA international competition, best band work and best chamber music work at Juilliard School. His works has been performed in Beijing Concert Hall, Shanghai Concert Hall, the Carnegie Hall in New York, and Lincoln Center for several times. Shen Yiwens music has been praised as a jaunty, vibrantly scored canvas" and "with a lucid, economical lyricism handed down by Barber and Rorem by The New York Times.

Music 2014

Percussive Theatre Drifting

The work Drifting, performed by six percussionists, demonstrates the relation between the individual and the group. The six voices (percussionists) represent six islands, drifting back and forth in the ocean. It also adds body language, whisper and recitation, representing mature thinking and interaction among individuals The trio interpreted by body language, the duo by vibraphone and marimba, another quintet by drums, these complex combinations of ensemble create all kinds of rich form of sonority, and subtlety changing color of each interpreter.This work is supported by the instrumental music department and percussion music department of shanghai conservatory of music. Tsai WenchiBorn in Taipei, Tsai Wenchi began her study of composition with Chiang Chia-chen. She then enrolled into the ÉcoleNormale de Musique de Paris in the class of the renowned Japanese composer, Yoshihisa Taira. In June 2006, she obtained her superior diploma of composition with the 1st prize. Upon graduation.she actively created and published works in both France and Taiwan, and Wen-chi was invited by the great saxophonist Nicolas Prost to compose Le fougémissant for the saxophone baritone. Her other works include Plongeurand Relation, the percussion duet Ombre, and Pluie du soirfor marimba and flute. Her works were performed at various music festivals in Paris, Lyon, and Avignon, and also on tour in Taipei, Hsinchu and Taoyuan . Tsai Wen-chi is currently a teacher of composition and music theory in the Central Conservatory of Music (Xiamen Branch) in China.

Music 2014

Sinfonia Concertante for Anda Union and Orchestra - The Last of the Steppes

In nine movements, The Last of the Steppes depicts the past, present, and future of the lnner Mongolian grasslands. The past is the nomadic life of Mongols, a culture built on relationships with domesticated animals as well as with wildlife: wolfs, eagles, gazelles, and more. The present is about the loss of the steppes; the human transition from protecting to threatening the grasslands through mining, agriculture, and urban development, leading to habitat destruction, desertification, and air pollution in the region, as well as a plea to "go home," a place strictly of the past. The future is uncertain. lt might be dystopian and devoid of anda, the Mongolian word for brotherhood and compassion, or it might be a chance for grasslands rebirth; the people who preserve the steppes today, then, are the heroes of tomorrow. Sam WuSam Wus music deals with the beauty in blurred boundaries. Many of his works center around extra-musical themes: architecture and urban planning, climate science and the search for exoplanets that host life. Selected for the American Composers Orchestras EarShot readings, winner of an ASCAP Morton Gould Young Composer Award, Sam was also awarded First Prize at the Washington International Competition. Sams collaborations span five continents, most notably with the Philadelphia, Minnesota, and Sarasota Orchestras, the Melbourne and Tasmanian Symphonies, New York City Ballet, Sydney International Piano Competition, the Lontano, Parker, Argus, ETHEL and icarus Quartets, conductors Osmo Vänskä, Case Scaglione, and Benjamin Northey, and sheng virtuoso Wu Wei. After growing up in Shanghai, Sam (b. 1995) received degrees from Harvard University and The Juilliard School, and is a DMA candidate in Composition at Rice Universitys Shepherd School of Music. His teachers include Tan Dun, Anthony Brandt, Pierre Jalbert, and Chaya Czernowin. Anda Union"Anda" in Mongolian mean sworn brothers. Anda Union Mongolian Ensemble was established in 2003. The 10members of the team are all from Aru Khorchin in Xilingol prairie, with an average age of less than 30. As the only domestic professional art groups of perfect combination of horse-headed fiddle, the Khomus and Humai singing, they won the first place of grand prix in aboriginal group in authority singing competition in 2006, the 12th CCTV young singer competition, and got fame since then. Anda Union Mongolian Ensemble is one of the most popular Chinese band in number of foreign tours.

Music 2014
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