Dirty Electronics

Dirty Electronics – Bed of Nails x Hard DrivesWORKSHOP with John RichardsTake part in building Dirty Electronics Bed of Nails x Hard Drives. The instrument exploits traditional breadboard techniques, wire-wrapping and nails banged into a board, and a single supply op-amp to provide the basis for a noise generating feedback circuit. The instrument is played by touching different combinations of nails to create a range of sounds. A low sine tone, produced by a brushless motor of a computer hard drive, is used as a low frequency oscillator and modulator for the Bed of Nails feedback circuit. The open circuitry, nails, and wire of the instrument present sculptural possibilities, as well as providing a pedagogical model for building circuits from schematics; whilst the ‘spinning hard drive highlights gesture, and affordance in the playing the instrument.In Dirty Electronics process and performance are inseparably bound. The performance begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments. Light & Feathers IIFor vibrating objects and feathers, and automated incandescent light bulbsA sequence of light events control sound objects with large feathers that rattle, shake and move. The space is demarcated by sound and light and shadows cast by the vibrating feathers. The ‘audience is also asked to be part of the work by walking freely amongst the objects.Previous version of piece:https://www.youtube.com/watch?v=SViftGYwwiIHidden SineJohn Richards discusses his recent work as Dirty Electronics and new piece Hidden Sine that explores self-made instruments and large group performance, and ‘sound curious that are concerned with the way of the hand, touch and affordance (action possibilities). Hidden Sine draws loosely on object orientated philosophy and theory of affordances. The premise is that an object may have artistic/sound potential, often hidden, that can be revealed through investigation and praxis. This investigation operates on a number of levels covering sound, plastic arts and actions/theatre. The building of circuits and sound devices is also seen as a method for creating a tabula rasa, and how the idea of delegated performance, where instruments are played by ‘non-experts, serves to establish a naive approach and authenticity in performance.Fish Face (2010) John RichardsInspired by Christian Morgenstern and Byunjun KwonFish Face is a hands-off face and mouth expression only controlled instrument/composition. A small loudspeaker is placed in the mouth. By opening and closing and shaping the mouth, both pitch and the timbre of the instrument can be changed.The composition consists of a number of cues and material types. The mouth shape U is ‘sung in unison (see Morgensterns Fisches Nachtgesang). Other directions included vowel shapes/sounds, as well as directions for ‘scary face and ‘funny face, the musical sound being a result of the facial expression. The performers also make vocal sounds, which, when combined with the electronic sounds, produce multiphonics. Mouthing, but not sounded, words are also included.

Indoor Activities 2015
Indoor Activities 2015
Indoor Activities 2015

《TO BE OR NOT TO BE》, Meets By Chance

As a psychological stage play played in the Little Theater, <<To be or Not to be>> abandons every turgid decoration but pure contents, to attract all the attention of each audiences. Within half an hour, people will see and experience hesitation of characters, evil of the reality, as well as sweetness of Shakespeare. Thanks to these outstanding characters, audiences have the chance to hover in the three doors. And taste the initial taste of psychological stage play. In the end, they even ask themselves: Do I really love the one whos thought to be fallen in love with me? This play awardsBest Director, First Prize of Play and Third Prize of Script inPsychological Play Competition in Shanghai Theater Academy, 2015.Magic puppet mime: puppet meets by chanceThis work got rid of traditional performance firm of puppet acts. this performance is operate by person,let the puppet finish a series of exaggeration body performance(puppet mime)by operating puppet. And then blend in some latest popular magic performance, increasing the delight of the work. Imagine that theres a puppet performing on the stage, not only perfume human motions and also blend some magic show on the platform of puppet performance. The interesting performance will definitely clench your sights. As I have investigated, the usual performance form of Chinese puppet art are Thread puppet, Rod puppet, Hand puppet and etc. The iron bars puppet designed by us is the only performance style in China. On the basis of the experience performing skills that teacher taught us. We are full of confidence that well present a relatively complete performance of magical puppet mime

Indoor Activities 2015

drama “Oedipus Rex;”

The creative team:We come from all corners of the country.We gathered in Shanghai in September 2014.The students in 2014 Senior Director Seminar are from 19 provinces and citiesof all over the cuntry,which include Sichuan Opera, Shanxi opera, Huangmei Opera, Wuxi opera, L Opera, Wuju opera, Henan Opera,Zhejing Opera, Flower Drum Opera, Guiju, Qiyang opera and drama, childrens plays, film and television production etcExperimental drama Oedipus Rex;is a graduation work of this class, from Sichuan, Shanxi opera, Huangmei fusion show.Synopsis: The original is about a little boy cursed by God who was decreed by fate to kill his father and marry his mother. So he was sent to the city of the state to wait for death shortly after birth. But fate has let another countrys shepherd find the child and he gave it to the king of the country to be adopted. The little boy grew up. At a cocktail party, he knew his life experience from a drunk minister. Although the parents carefully explained ,he still took a question to run to ask the prophet. The prophet did not answer his question but he told him that he would kill his father and marry his mother. So he escaped from the coming bad luck to another country. But destiny played a joke with him here. He thought the escape was a step on the road to kill his father and marry his mother. On the way to the city, he killed his father mistakenly. When he arrived at the city ,he drove away the cursed witch city and became the new king and married his mother. Shortly afterwards Plague outbroke in this city. The people wouldnt ger rid of the plague until they could find the man who kills the old king. The story was a step by a step. At last Oedipus kept his words.and exiled himself. After the script was filmized, it was deleted the marrying mother clues, just from looking for the murderer who killed his father.

Indoor Activities 2015

Realms: Lost and Found x N

Our conversations may be someone elses dream, and you only thought you were awake&hellip; Realms: Lost and Found x N fuses dance, video, installation, and interaction to generate experimental realms of live, sensual, and intellectual provocations. Realms relates to the concrete, physical space, but also to the movement between states of consciousness, performance quality, mimesis, and agency/subjection; the performers and the audience are like traveling through layers of dreamscapes, in which one recalls the other, as resemblance with a slippage; it may be realitys morphology, or a morphology that never had a reality to begin with&hellip; In this dazzling world of tricks and wonders&hellip;Chiayi Seetoo (Jess) is dedicated to performing arts research and practice. Her interests include contemporary dance, dance theater, physical theater, intermedial theater, and dance film, etc.. Professional dance experience includes: Legend Lin Dance Theatre (Taiwan), Cie Felix Ruckert (Germany), Stephan Koplowitz project (USA), among others. Jess earned a graduate degree in Performance Studies from UC Berkeley in 2013, and she has collaborated with theater and video artists to present cross-disciplinary works at Berkeley, Stanford, and UC Riverside. She is currently a research fellow at Shanghai Theatre Academy. She also writes, gives lectures and presentations, and provides translation services for performing arts related matters. Faye Wu is a graduate student in Dance Studies at Shanghai Theatre Academy (STA). She also works in dance education and creation, and has performed for charity events. She graduated from Guangdong Dance School with a major in Chinese Dance Performance in 2008. In 2012, she graduated from STA with a BA in Choreography. Upon graduation, she danced with Jin Xing Dance Theatre. During her school years, she has taken many workshops taught by artists of various disciplines. Her experience of creating and performing with other up-and-coming artists has been a great source of inspiration for her teaching and her own creative work. Faye is also interested in dance-related cross-disciplinary collaborations, such as dance film, dance theater, and physical theater, among others.

Indoor Activities 2015
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